ArtworkPaintingsDrawingsSketchesSkulptures
I attended private art classes for more than 10 years where I improved drawing and sketching skills. I started with two-dimensional pieces and finished my first self-portrait when I was 10 years old. After that I focused on abstract and still life painting. At the moment I work on a photorealistic family portrait.
Max Bruch: Romance for viola and piano F Moll, Op. 85 · Felix Schwartz · Wolfgang Kühnl
ArtworkPaintingsDrawingsSketchesSkulptures
I attended private art classes for more than 10 years where I improved drawing and sketching skills. I started with two-dimensional pieces and finished my first self-portrait when I was 10 years old. After that I focused on abstract and still life painting. At the moment I work on a photorealistic family portrait.
In progress
family portrait
Currently I am working on a family portrait. The photo was taken in our garden specifically to bring it on canvas. In October 2014 I began to trace dark and light parts of the image by outlining them on tracing paper. This linear graphic was scaled-down and projected onto the canvas where I copied the outline of the projection and started to color the outlined shapes in bright violet or black according to the differentiation I made in the first step. The whole canvas has been painted red to reduce the soaking of the canvas for the next color layers. After that the next color layers and final layers were put on step by step...
Completed
About Structure
"About Structure" is the title of the lecture series "Building Constructions" which was part of the third semester of the Architecture Bachelor Studies. To get in touch with the content of each class, we were supposed to capture a thesis, an explanation as well as sketches after each lecture in which we question a certain aspect of the particular topic area.
Completed
A. Einstein Portrait
In march 2019 I started sketching a photorealistic pencil drawing of a portrait photo of Albert Einstein. His face is a proper model to get familiar with portrait drawing due to his unique facial traits, his deep wrinkles and his interesting, leathery skin structure. Once I got used to the proportions and shapes of the wrinkles a realistic image was reached through a dark shading, sharp contours and precise scratches in the paper with the pencil point for a three-dimensional effect and an even more emphasized contrast. The most important part of a portrait is the eyes as the similarity between the drawing and the original image depends on the right look in one’s eyes. This expression is modified with the proportion and shape of the eyes and eye socket as well as the form and position of the iris and the point of light reflecting in the eye.